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Sui
Generis |
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Swallow (2005) ,Corpus
Escapement (2005) and Neither/Nor
(2006) are self-portraits that locate the body as a fanciful machine with
hints of technological tropes that suggest a relational functionality
to In Neither/Nor the fatty layer of my cranium has been molded into the boolean NOR symbol. Inspired by the idiom "neither fish nor fowl," I reveal the complexity of what I may or may not be. I'll leave the arguments blank for others to fill. How did I get the brain imagery? I volunteered for an FMRI (Functional magnetic resonance imaging)demonstration at the "Science of Consciousness Conference" in Tuscon, Arizona under the stipulation that I get a copy of the films. The digitally manipulated images can stand alone as unique aesthetic
investigations. They also serve as concept pieces for a body of work that
will integrate mechatronic self-portrait machinations of that explore
the synergies and contestations between the human body and human-made Circuitry Front and Circuitry Back are digital prints of the first circuit board I designed for the Constructed Narratives project. My facination with this image is the beautiful complexity layed down by the auto-annealing circuit board design software. The technical design takes on gender attributes that highlights the antiquated engineering notational method, while adding a notion of ambiguity as to what is "female," and what is "male."
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| Swallow
(2005) original 50 X 90 inches |
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detail 1 and 2 | |||||
| Corpus
Escapement (2005) original 73 x 50 inches |
Neither/Nor
(2006) |
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| Circuitry
FRONT, Circuitry BACK 60 x 35 inches each |
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